After some months of showing and admiring The Saint John’s Bible, some months ago I wondered if I could find any of Donald Jackson’s better work so I could connect it with this amazing illuminated Bible. I approached the people at Saint John’s University, the patron of The Saint John’s Bible, to see if they would be interested in a short piece for The Scribe, the newsletter of the project. My piece was published recently, and it looks good! (Read here.)
Now, Donald Jackson is a god in the English-language calligraphy world. First, for many decades he was (and may still be, for all I know) the official calligrapher for the Royal Crown. (He’s British.) Also, working with this Bible has gotten me in touch with some local calligraphers, including Cari Ferraro who herself wrote a piece on this Bible. Every calligrapher I have met speaks with Jackson with a certain awe. The man is a prodigy who started calligraphy formally at 13. Yet by all reports, he is also very down to earth and supportive of young talent.
Still, because he built his fame in the pre-internet age, he does not have a website. So I had a heck of a time finding any of his earlier work. The only thing I could find was a catalogue of a 1988 exhibition of his work called Painting With Words. (Coincidentally, both Cari and my calligraphy teacher saw the exhibit, which came to Santa Clara’s Triton Museum of Art.) Thankfully, this catalog has a few pieces that reminded me quite a bit of some of Jackson’s illuminations in The Saint John’s Bible.
I just posted my article on my Academia page—go read it if you are interested.